One Hundred Percent

Installation 

One Hundred Percent is an installation artwork that extensively utilizes clothing tags produced en masse in factories as a unique material. By magnifying it, the artwork boldly proclaims that fantasy is a promise and advertising associated with mass production, offering feedback that in the realm of material consumption, it's not just about the products themselves but also about imagination and emotion.The inspiration behind this installation artwork stems from witnessing the frantic pursuit of fast consumption and large-scale production in modern society, as well as people's excessive reliance on materialism. By enlarging what is typically an overlooked small item - clothing tags - into a colossal installation, the artwork seeks to convey a powerful message: we live in a world dominated by labels, packaging, and mass manufacturing, where these tags were once promises of dreams and fantasies.The name of this installation artwork, "one hundred percent," signifies a commitment of the highest purity, but it also carries a hint of irony, questioning whether this commitment is truly worthy of our trust. The artwork prompts viewers to reflect on their roles in the material world, the satisfaction they derive, and their relationship with reality.

百分之百

大量使用了工厂批量生产的服装标签作为别致的材料，放大地宣告了幻想作为批量生产的承诺和宣传，来反馈物质世界消费的不仅仅是商品本身，同时还有想象力和情感。这个装置作品的灵感来源于目睹现代社会对于快速消费和大规模生产的疯狂追逐，以及人们对于物质主义的过度依赖。通过将衣物标签这一通常被忽视的小物件放大成巨大的装置，作品试图传达出一种强烈的讯息：我们生活在一个被标签、被包装、被大规模制造的世界中，这些标签一度是对梦想和幻想的承诺。

这个装置作品的题目：百分之百意味着一种百分之百的最高纯度的承诺，隐含着一种讽刺，询问该承诺是否真的值得我们的信任？作品让观众反思自己在物质世界中的角色，满足感和以及我们和现实的关系。