Email: LJJart@gmail.com  

Jingjing is a multimedia conceptual artist who frequently employs experimental narrative techniques to present a possible future infused with absurd imaginings and humor, juxtaposing contradictory facets to refract and challenge unresolved historical issues. 

In this realm, she contemplates and delves into the essence of personal politics, absence, gender, death, philosophy, dynamics of power, and trauma. Her works serve not only as invitations to meditative introspection but also as interventions into how we exist and love in our present lives, how we find meaning related to our own experiences.

Through her multidisciplinary practice, she utilizes objects, language, imagery, and drama to inquire into our roles and responsibilities as interdependent beings within our shared environment and the impact of media on contemporary culture. She delves deep into the complexities of technological neocolonialism, exploring the possibilities of constructing the future from challenging realities within a "non-place" global context. Her artwork spans installation, video, sound, animation, light, performance, sculpture, painting, drawing, coding, mixed media, and photography.

Lin was profiled by TATE research Center: Asia, as part of their ongoing study of “ Women Artist in Contemporary China”.

Lin ’s works have been exhibited in major public museums including the National Art Museum of Chile in Santiago(Chile), the Ivam in Valencia(Spain), the Kunstraum in Vienna(Austria), Galeria Herold in Bremen, Saint Mary’s University Art Museum in Halifax(Canada), the Leonard Pearlstein Gallery in Philadelphia, the Tikanoja Art Museum in Vaasa (Finland), the Long Museum in Shanghai(China), the Nanjing Museum Nanjing(China), Guangzhou Art museum in Guangzhou(China), the Du Land Modern Art Museum in Shanghai (China) and Song Zhuang Art Museum in Beijing (China), Ljubljana Castle in Slovenia,  etc.

Lin's work has been reviewed in major publications such as Asia Art Pacific, Artforum, Artnet News, AsiaArt, Southern Weekly, Kolaj magazine, Randian, China Daily, Luxuo, Hong Kong Economic Journal, South China Morning Post, etc.

With her work showing in Art Basel Hong Kong, Art Basel, Art021 in Shanghai, Asia Now in Paris, Sydney Contemporary, Taipei Dang Dai, GIGE Beijing, Art Shenzhen, Art Beijing, Art Silicon Valley San Francisco, Art Stage Singapore, etc.

Lin's large-scale (take up to 26000 sqf. museum space) solo show: I Want to Be With You Forever, was curated by Li Xianting, the renowned independent art critic and curator of contemporary Chinese art, known as the “Godfather of Chinese contemporary avant-garde” for Song Zhuang Art Museum in Beijing (2009).

Richard Vine, managing editor from Art in America wrote about her work: 

“In paintings, altered objects and installations, she addresses some of the most wrenching themes imaginable—death, loss, loneliness, betrayal— with remarkable sophistication and restraint, even at times a touch of humor. Her contribution to contemporary art is thus two-fold. She couples a focus on individual experience (in what has for centuries been a collectivist culture) with art-making of unassuming skill. The amalgam generates a distinct form of beauty—existentialism melded with subdued artistry and permeated with simple human care. In short, Lin’s vision is compassionate, transcultural, and mature.” 

Lov-Lov is a fictitious artist identity invented by Lin Jingjing in 2024, as an amorphous vessel of art creation. Inspired by the versatility and fluidity of artificial intelligence, Lov-Lov is a self-defined entity free of physical indicators and binary definitions such as age, gender, or ethnicity. An isolation of the transhumanist capabilities enabled by contemporary technology, Lov-Lov aims to be a noumenal mimesis of consciousness that peeks behind the veil of empirical reality. 

for Lov-Lov's art project, please check:

www.lovlov.art